POSTBAG

Back in 1977, when we were still in the throes of the Cold War, there was not only a psychological battle on the ground - there was the war on the airwaves to squelch public opinion. One such example of silencing the opposition was “jamming” - it was immensely popular in the 1960’s and 1970’s. It consisted of one nation switching on transmitters on (or slightly off frequency) and blasting the smaller broadcaster with noise and interference. The USSR, for example, poured megawatts of electricity into silencing the voice of Israel on its scheduled broadcasts to he jewish diaspora in Russia. Like Radio Free Europe at the time, the jamming was merciless - and this is an excellent example of how it worked and what it sounded like… way back in the bad old days of May 1977!

By 1977, I had become and old hand at DXing and digging out some incredible signals on the West Coast - it was the best of times. I had almost finished high school and the future looked bright. I had my sights on a career in Electronics - and as it would turn out (as I look back on that career…) that I lead a truly charmed life. Starting in 1972 I began recording bits and pieces of what I was hearing on the radio dial - it was a modest attempt using some pretty basic gear. By 1974 I had figured out how to tap into the line audio of most receivers and capture superior (all things considered) audio from the source. Between then and the early 1990’s I likely recorded over 20 hours of sound bytes (well cataloged) of World Band radio - now is the time where I am making more of an effort to digitize that material as the cassettes age. In this clip we feature a Christmas Eve recording of WWVH on 5000 khz, the Solomon Islands on 5020 and Noumea, New Caledonia on 7170 Khz. All of these recorded on a “Transonic Executive” tape recorder and a DX150B tabletop communications receiver.

Nothing compares to the carefree pathway of youth. Not a worry. Not a concern. The future is endlessly bright. And at the radio dials in 1977, this idealism could not be closer to the truth. Our solid-state and tube type radios glowed in the waning light of sunset and revealed an endless expanse of fully utilized radio spectrum. The voices were often hard to separate and determining a radio frequency often came down to guesswork or crafty use of band spread dials, crystal calibrators and interpolation charts. But that was our youth and the approaching salad days of International Broadcasting. I had been finding my voice in clubs like CIDX, SPEEDX and the IRCA - learning the ropes of journalistic hobby contributions. Half the fun of the radio hobby was the sharing with the sisters and brothers of the hobby. And here we were. And here I was - at 17. That sounds like a song by Janis Ian and I guess it was. At 17 my ears were full and my heart was well stocked with hope for the future.

Here is part two of my 1977 “Greatest Hits” Interval Signal Series - recorded in Victoria B.C. Canada on my DX150B table-top communications receiver.

In 1977, I had been SWLing for a solid 5 or 6 years. I seemed like I was something of a veteran DXer by then. I have been making tapes since 1972 (but only really kept a solid and organized library since the Spring of 1975. I approached each cassette like it was a concept album. I was learning to play guitar so it made sense - that if my recordings were to make sense in the future that I need to catalog them properly and they needed to have some kind of theme. In my wisdom, I started producing what I would call “My greatest hits” cassette of that year - everything carefully logged and noted. One of the results was my “ID’s and Interval Series” in 1977 that mimicked to a certain extent, Ian McFarland’s Language series of ID’s with Doctor Richard Wood. Here is the result with the youthful sounding 17 year old me!

It was another time and place. The 1970’s. Radio was alive and well with no sense whatsoever than the decade to follow would not be exactly the same - well, it was in part… but change would come. Even in the late 1970’s, many old stations had a folksy feel to them - Radio Luxembourg was no exception. Based on whatever they were playing you had no idea what was coming next. In this little recording, we have RTL on 6090 playing a mixed bag of what sounds like light German big band music - or folkie pop - or what have you. Station ID at the end…. drifting into a snippet from our old friend CFRB in Toronto on 6070 Khz. All received on a DX150B and an Inverted-L antenna located on the West Coast of Canada.